Exiles in three cities put new words to ritual songs

Three sister organisations were founded in the early 1970s to carry the cultural work of the Haitian opposition abroad, all affiliated to the Marxist Patriotic Action Movement: Soley leve in New York, Haiti Culturelle in Boston, Vaccine in Montreal. The last is named for the bamboo trumpet blown in the Rara. Their reasoning was that reaching the Haitian countryside meant using Kreyòl and the music of Vodou, since around eighty five percent of the population had learned what it knew through ritual song. So they kept the tunes and replaced the words. About 1974 in Boston the poet Koralen Jean Claude Martineau composed Ayiti demen on the melody of a well known song for Saint Jacques Majeur and Ogou Feray. They translated Jacques Roumain’s Masters of the Dew into Kreyòl for the first time and staged it with a live rooster and ritual drums, and their cassettes were carried back into Haiti.